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Dividor seeks new home: o)

After so my new super forms of Salina have arrived and we are individual sizes have had to make ( what is it again for a set position ) is looking our last Dividor (18er by Gisella Manske ) are a cozy, soapy home: o)

He was 1 year old in December and is free of any defects: o)

I've priced € 50 to Bridle. Porto, I think it will be a Package are presented.


Those interested may like to leave a comment or feel free to mail: .....

Seifenkunst@web.de

with Love Your Jessy

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Berlinale 2011: THE KING'S SPEECH

After wide audience preferences manufactured Oscar material of very tasteful variety, which looks shrewd in James Ivory's tradition with captivating pathos and sentiment ausgespieltem unite to some of sympathy to themselves. In "The King's Speech" it is first of all to the throne from King George V and the inauguration of his youngest son after his death, but the movie instead tells of the outbreak of World War II, the political upheavals of the royal family or other relevant things rather a story of how it George VI. managed to maintain a relatively stutter-free speech. This follows primarily a typical student-teacher drama, speech therapists here once in between meekness and King spe.

is the thriving learning success if not the best shot-reverse shot of the film school teaching pushes between them, told in run-down assembly, because it can form beautiful sweaty time be made only in the movies transient. At some point eventually becomes clear what the film initially little trickily already rumored already shot by shot: The King's vocal cords were narrowed only by the merciless corset strings British nobility merits - a fortune then, expose that Colin Firth's stuttering King George to the same start as stiff as ne'er must to which every noble gesture expresses a cramp in his face.

The priority production that seems to circumvent all the eye-translucent Lichen cliché of old-fashioned costume film does is, it probably impose the outdated attitude of the film. But the strong especially in terms of interferences in the applied figures as persons drama Adelsschmonzette reflected ultimately reflected in the casting, especially, the wonderful game of a pretiösen Geoffrey Rush is here compared to the complete wrong choice of Guy Pearce and Timothy Spall. With all the conventional mannerisms necessary to the film Tom Hooper's attempts to keep the benefit, to loosen the rigid requirements of costume format cinemas at least partly with laconic humor - in some moments between Firth and Rush developed the film at times a pleasantly amusing momentum that makes us forget his otherwise overly controlled superstructure, at least momentarily.


40% - published by the: 5 film friends

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Berlinale 2011: THE SLEEPING GIRL

the early 70s in the Düsseldorf Academy of Art. The disciples of Beuys-school approach to grow independent artists, among them the video and performance artist Hans. In the contemporary context of Judith Barry "The sleeping girl" he is a fictional character who lives near filming around the clock. In the burgeoning video culture Hans finds the ultimate expression of his distinctive artists `- Become who you are - and an answer to that question which it between art theory and self-sacrifice still haunts even in nightmares: what is really art for now. The film we see is assembled by Hans video. A fictional film artist, then, a fake document, fake self-presentation.

Hans (James Diehl) runs the video camera everywhere. He films in particular, and his portrait in the park, in the university or against white walls, which he uses for example for demonstration of cinematic framing. One day He comes to Ruth (Natalie Crane), a lost-looking young woman living in the city park. Hans takes her to, she explained to the protagonist of his videos and does not differ more from their side. As Ruth begins to realize himself as an artist to visit the scene and to bandeln with Hans' best friend Phil (Christoph Bach), it locks itself on them and in his studio. may be different than the naked pictures of Ruth, which it has in the academy to create and identify in which Hans no connection between artist and model, he would show his video art, who was the mysterious woman really . In a mad atmosphere gradually to threaten the boundaries between life and art of life dissolve.

"The sleeping girl" is paraphrase, parody, and repeal of an art. He first examines neither affirmative nor pejorative the reciprocal relationship between art and artist through the eyes of the camera of a fictional character. Kirby makes his characters ponder about philosophy, which provides the intellectual aware comic character Verbal € sufferers, and they put their theoretical skills into practice passionately. The film is deep understanding, but also a vaguely suspicious feeling for art is written. Kirby, who studied at the Dusseldorf Academy, has worked during his many films, projects or installations that include Amanda Lear and Kenneth Anger. His studies, he referred to as penetrated by the "Rudolf-Steiner-ideology."

The voice of the director stands in "The sleeping girl" never directly Kirby makes his film Hans' film to be. And yet he motivates the audience to a conservative value judgments, to an awareness of what art can do and what they can not. And maybe what they should not be. The project of Hans, the truth "of his" Ruth to explore means of video document is bound to fail. Art can not depict what life really is, and they can not investigate an ultimatum. When Hans insecure and helpless must recognize that Ruth is not the man he believed to find trial-like, he has no alternative but to adopt from the focus of his camera. Is this a rejection of art - or is it just the beginning of their emotional collection? An extremely fascinating film.


80% - published by the: 5 film friends