Roman Polanski's feverish Sextraum "Repulsion" with the adolescent-tinted glasses pretentious Aronofsky Arthausgläsern nachbuchstabiert again. Between Homo kitsch, Prima Ballerina and psychological thriller trash waves and waves "Black Swan" after his cinematic role models with eingeknicktem back of the hand, but no artistic courage, ingenuity and intuition for the formal abysmal, disturbing and thought-provoking. Psychologically, the film remains flat to plump, and if Aronofsky coquettishly the repressive and distorted perception of its protagonist tries to convey to violate his Shaky-cam images sometimes the border to foreign Cham. Natalie Portman dances and suffers bravely as a black Schwänchen by their banal horror trip, but for Catherine Deneuve, they will not procure - their naivete and innocence will claim that its ambitious play unbelievable and hard. As the movie. 30%
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